REBECCA BOBLAK
For 30+ years, I have taught piano through the Suzuki approach. Treating music the way a child learns to speak, through daily listening, patient repetition, and encouragement.
I hold a Master of Music in Piano Pedagogy with a Suzuki emphasis, and over three decades of teaching, which helped me build an approach distinctly my own: one that pairs disciplined, masterful practice with real improvisation and composition, so students grow into complete musicians rather than skilled repeaters. That belief in creativity as part of technical training has taken me beyond my own studio.
I've led workshops for fellow Suzuki teachers at the Holy Names University Summer Suzuki Institute in Oakland, the Festival Internacional Suzuki de Música, and the Suzuki Circle in Bellevue, Washington, helping other educators bring improvisation and composition into their teaching without losing the Suzuki foundation underneath it.
I still perform regularly, having concertized across North and South America, and continue to collaborate with musicians throughout the Bay Area.
My belief is simple:
creativity isn't an extra in a musical education. It's what turns technical skill into real self-expression, and helps students see what they're capable of, on and off the piano bench.roach. Treating music the way a child learns to speak, through daily listening, patient repetition, and encouragement.
FUN STUFF

My first piano recital
with my brother Jimmy
1980



Experience
Experience
A few paths through our community. For students, for teachers, and for the wider world we reach toward.